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2005 Catalogue Drawings
2005 Catalogue Paintings
"] Text[1]=["Click below","1. Preliminaries
2. Murals
3. Oils
4. Watercolours
5. Drawings
6. Prints
7. Decorative Arts
8. Photographs
9. End Matter"] Text[2]=["Click below","1. Introduction
2. Paintings 1
3. Paintings 2
4. Works on paper 1
6. Works on paper 2
7. Design section"] Text[3]=["",". . . a show worth visiting if only for the chance to wallow in the rarely seen langour of Monnington, who is long overdue for reappraisal.
– The Independent, Aug. 1997
"] Text[4]=["","Charles Mahoney\'s reputation has been crying out for reappraisal. . . His family have preserved the work he left, anticipating that one day an exhibition such as this, with its excellent and well-illustrated catalogue, would finally establish the reputation his talent deserved.
– The World of Interiors, Mar. 2000
"] Text[5]=["",""There\'s no correlation between artistic value and monetary value," says art consultant Paul Liss.
So all credit to chemicals company Laporte for selling its boardroom masterpieces and reinvesting the cash in a collection for all the staff to enjoy.
– Observer, May 2000
"] Text[6]=["","Austin was an artist of technical brillance and extraordinary precision, a skill which led to his engagement as a designer to the Bank of England. . . It was from some of the most workaday situations that he drew inspiration for his charming engravings.
– The Scotsman, Jan. 2002
"] Text[7]=["","
20th century talent spotting
"Liss Fine Art have built up a reputation of homing in on some of these little-known masters. This flair was exemplified in May when the firm produced a splendid and informative illustrated catalogue. . . "
– ATG, June 2004
"] Text[8]=["","Beautifully produced and with meticulously researched artits\' biographies, to the extend that it merits a long-term bookshelf life as a reference work, the catalogue offers 116 colour-illustrated works, many by artists who will be completely new to even seasoned collectors of Modern British arts.
– ATG, June 2005
"] Text[9]=["","An attention to detail
Winifred Knights was a painter of rare clarity. In her short life (tragically curtailed by a brain tumour) she was responsible for only seven major paintings, cool and stylised perhaps, but extraordinarily effective. She was an assured technician, making many preparatory drawings before embarking on a large composition. In 1920 she was the first woman to win the Prix de Rome, with a very contemporary reinterpretation of \'The Deluge\', now in the Tate. Murals were a favoured mode of execution, mirroring the fact that the subject matter was removed from everyday life and given a classical or primitive treatment.
Andrew Lambirth • Winifred Knights at the Fine Art Society, London, 18 September 13 October.
– Royal Academy Magazine, Autumn 1995
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