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£200

Presentation: Unmounted
SN: 1822
Line engraving
Plate: 5 3/4 x 4 1/8 in. (14.6 x 10.5 cm). (cancelled)
Print: 9 1/16 x 7 1/4 in. (23 x 18.5 cm).
A limited edition of 5 prints has been printed posthumously by David Maes on GUARRO Superalfa paper (250 g/m²)
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£175

Presentation: Unmounted
SN: 1823
Line engraving
Plate: 6 5/16 x 6 1/2 in. (16 x 16.5 cm). (cancelled)
Print: 9 7/8 x 9 7/8 in. (25 x 25 cm).
A limited edition of 5 prints has been printed posthumously by David Maes on GUARRO Superalfa paper (250 g/m²)
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£280

Presentation: Unmounted
SN: 1824
Dry point
Plate: 5 x 5 1/2 in. (12.5 x 14.1 cm). (cancelled)
Print: 8 5/8 in. (22 x 22 cm).

A limited edition of 5 prints has been printed posthumously by David Maes on GUARRO Superalfa paper (250 g/m²)
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£150

Presentation: Unmounted
SN: 1825
Drypoint
Plate: 5 5/8 x 4 3/4 in. (14.4 x 12.1 cm). (cancelled)
Print: 9 7/8 x 8 1/8 in. (25 x 20.5 cm).
A limited edition has been printed posthumously on
GUARRO Superalfa (250 g/mÂ²)
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£100

Presentation: Unmounted
SN: 1827
Line engraving, plate size 7 x 4 in. (18 x 10 cm),
paper size, 10 5/8 x 7 in. (27 x 18 cm).

Literature: Campbell Dodgson, Robert Austin, exh. cat.,Twenty-One Gallery, London, 1930; Gordon Cooke, Drawings and Prints by Robert Austin, exh. cat.,The Fine Art Society, London, 2001

Austin was one of the greatest exponents of line engraving and etching. Campbell Dodgson, Keeper of Prints and Drawings at the British Museum, who compiled the standard reference work on Austin, compared him to Albrecht Dürer, noting that Austin had ‘more than a touch of that master in him’ (Dodgson, Robert Austin, exh. cat.,Twenty-One Gallery, London, 1930).

A limited edition of 5 line engravings have been printed posthumously on ARCHES 250 g/m² paper costing £50.00 each

We are grateful to Rachel and Clare Austin, Gordon Cooke and David Maes for assistance.
Send image Biography Enquire
£100

Presentation: Unmounted
SN: 1828
Etching
Plate: 3 7/8 x 6 1/8 in. (9.8 x 15.6 cm). (cancelled)
Print: 7 1/4 x 9 1/16 in. (18.5 x 23 cm).
A limited edition has been printed posthumously on
GUARRO Superalfa (250 g/mÂ²)

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£150

Presentation: Unmounted
SN: 1832
Original etching, posthumously printed from the canceled plate
Plate: 4 1/4 x 5 3/8 in. (10.6 x 13.7 cm). (canceled)
Print: 7 7/8 x 8 5/8 in. (20 x 22 cm).
A limited edition of 3 prints have been printed posthumously on
GUARRO Superalfa (250 g/mÂ²)
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£100

Presentation: Unmounted
SN: 1836
Etching and dry point, image size: 9 1/8 x 7 1/2 in. (23.2 x 19.2 cm),
paper size: 12 3/4 x 10 7/8 in. (32.5 x 27.5 cm).

Line engraving, plate size 7 x 4 in. (18 x 10 cm),
paper size, 10 5/8 x 7 in. (27 x 18 cm).

Literature: Campbell Dodgson, Robert Austin, exh. cat.,Twenty-One Gallery, London, 1930; Gordon Cooke, Drawings and Prints by Robert Austin, exh. cat.,The Fine Art Society, London, 2001

Austin was one of the greatest exponents of line engraving and etching. Campbell Dodgson, Keeper of Prints and Drawings at the British Museum, who compiled the standard reference work on Austin, compared him to Albrecht Dürer, noting that Austin had ‘more than a touch of that master in him’ (Dodgson, Robert Austin, exh. cat.,Twenty-One Gallery, London, 1930).

A limited edition of 5 line engravings have been printed posthumously on ARCHES 250 g/m² paper costing £50.00 each

We are grateful to Rachel and Clare Austin, Gordon Cooke and David Maes for assistance.
Send image Biography Enquire
£150

Presentation: Unmounted
SN: 1840
Line engraving
Plate: 6 1/4 x 4 3/4 in.(15.8 x 12.2 cm). (cancelled)
Print: 9 7/8 x 8 in. (25 x 20 cm).

A limited edition of 5 prints has been printed posthumously David Maes on GUARRO Superalfa paper (250 g/m²)
Send image Biography Enquire
£270

Presentation: Unmounted
SN: 1842
Line engraving
Plate: 6 x 7 5/8 in. (15.3 x 19.3 cm). (steel-faced and cancelled)
Print: 9 1/2 x 10 1/4 in. (24 x 26 cm).

A limited edition of 5 prints has been printed posthumously by David Maes on GUARRO Superalfa paper (250 g/m²)
Send image Biography Enquire
£100

Presentation: Unmounted
SN: 1847
Etching
Plate: 3 7/8 x 3 1/8 in. (9.8 x 8 cm). (cancelled)
Print: 8 7/8 x 7 7/8 in. (22.5 x 20 cm).
A limited edition has been printed posthumously on
GUARRO Superalfa (250 g/mÂ²)
Send image Biography Enquire
£110

Presentation: Unmounted
SN: 1849
Etching, image size 5 1/2 x 4 1/2 in. (13.8 x 11.6 cm),
paper size 8 7/8 x 7 3/4 in. (22.5 x 19.5 cm).

Literature: Campbell Dodgson, Robert Austin, exh. cat.,Twenty-One Gallery, London, 1930; Gordon Cooke, Drawings and Prints by Robert Austin, exh. cat.,The Fine Art Society, London, 2001

Austin was one of the greatest exponents of line engraving and etching. Campbell Dodgson, Keeper of Prints and Drawings at the British Museum, who compiled the standard reference work on Austin, compared him to Albrecht Dürer, noting that Austin had ‘more than a touch of that master in him’ (Dodgson, Robert Austin, exh. cat.,Twenty-One Gallery, London, 1930).

A limited edition of 5 line engravings have been printed posthumously on ARCHES 250 g/m² paper costing £60.00 each

We are grateful to Rachel and Clare Austin, Gordon Cooke and David Maes for assistance.

Send image Biography Enquire
£90

Presentation: Unmounted
SN: 1855
Line engraving, image size 6 7/8 x 5 1/8 in. (17.5 x 13 cm),
paper size 10 7/8 x 8 1/4 in. (27.5 x 21 cm).

Literature: Campbell Dodgson, Robert Austin, exh. cat.,Twenty-One Gallery, London, 1930; Gordon Cooke, Drawings and Prints by Robert Austin, exh. cat.,The Fine Art Society, London, 2001

Austin was one of the greatest exponents of line engraving and etching. Campbell Dodgson, Keeper of Prints and Drawings at the British Museum, who compiled the standard reference work on Austin, compared him to Albrecht Dürer, noting that Austin had ‘more than a touch of that master in him’ (Dodgson, Robert Austin, exh. cat.,Twenty-One Gallery, London, 1930).

A limited edition of 5 line engravings have been printed posthumously on ARCHES 250 g/m² paper costing £40.00 each

We are grateful to Rachel and Clare Austin, Gordon Cooke and David Maes for assistance.
Send image Biography Enquire
£270

Presentation: Unmounted
SN: 1893
Etching
Plate: 7 1/2 x 6 1/2 in. (19 x 16.5 cm). (cancelled)
Print: 11 x 9 5/8 in. (28 x 24.5 cm).

A limited edition of 5 prints has been printed posthumously by David Maes on Arches paper (250 g/m²)
Send image Biography Enquire
£200

Presentation: Unmounted
SN: 1894
Etching
Plate: 6 1/8 x 5 1/4 in. (15.5 x 13.4 cm). (cancelled)
Print: 9 5/8 x 8 5/8 in. (24.5 x 22 cm).

A limited edition of 5 prints has been printed posthumously by David Maes on Arches paper (250 g/m²)
Send image Biography Enquire
£110

Presentation: Unmounted
SN: 1895
Line engraving, image size, 6 1/2 x 10 1/4 in. (16.5 x 26.2 cm);
paper size 10 1/4 x 13 1/4 in. (26 x 33.5 cm).

Literature: Campbell Dodgson, Robert Austin, exh. cat.,Twenty-One Gallery, London, 1930; Gordon Cooke, Drawings and Prints by Robert Austin, exh. cat.,The Fine Art Society, London, 2001

Austin was one of the greatest exponents of line engraving and etching. Campbell Dodgson, Keeper of Prints and Drawings at the British Museum, who compiled the standard reference work on Austin, compared him to Albrecht Dürer, noting that Austin had ‘more than a touch of that master in him’ (Dodgson, Robert Austin, exh. cat.,Twenty-One Gallery, London, 1930).

A limited edition of 5 line engravings have been printed posthumously on ARCHES 250 g/m² paper costing £60.00 each

We are grateful to Rachel and Clare Austin, Gordon Cooke and David Maes for assistance.
Send image Biography Enquire
£150

Presentation: Unmounted
SN: 1901
Line engraving
Plate: 7 x 5 in. (18 x 12.5 cm). (cancelled)
Print: 10 3/4 x 8 in. (27.5 x 20 cm).

A limited edition of 5 prints has been printed posthumously by David Maes on GUARRO Superalfa paper (250 g/m²)
Send image Biography Enquire
£270

Presentation: Unmounted
SN: 1947
Line engraving
Plate size: 6 1/2 x 7 1/4 in. (16,3 x 18,3 cm). (cancelled)
Paper size: 10 x 11 in. (25,3 x 28 cm).

A limited edition of 5 prints has been printed posthumously by David Maes on Arches paper (250 g/m²)

Send image Biography Enquire
£110

Presentation: Unmounted
SN: 1949
Etching, image size,6 x 7 1/2 in. (15x 19.2 cm);
paper size 9 5/8 x 11 in. (24.5 x 28 cm).

Literature: Campbell Dodgson, Robert Austin, exh. cat.,Twenty-One Gallery, London, 1930; Gordon Cooke, Drawings and Prints by Robert Austin, exh. cat.,The Fine Art Society, London, 2001

Austin was one of the greatest exponents of line engraving and etching. Campbell Dodgson, Keeper of Prints and Drawings at the British Museum, who compiled the standard reference work on Austin, compared him to Albrecht Dürer, noting that Austin had ‘more than a touch of that master in him’ (Dodgson, Robert Austin, exh. cat.,Twenty-One Gallery, London, 1930).

A limited edition of 5 line engravings have been printed posthumously on ARCHES 250 g/m² paper costing £60.00 each

We are grateful to Rachel and Clare Austin, Gordon Cooke and David Maes for assistance.
Send image Biography Enquire
£200

Presentation: Unmounted
SN: 1950
Line engraving
Plate size: 6 x 7 1/2 in. (15 x 19,2 cm). (cancelled)
Paper size: 9 5/8 x 11 in. (24,5 x 28 cm).

A limited edition of 5 prints has been printed posthumously by David Maes on Arches paper (250 g/m²)
Send image Biography Enquire
£1,200

Presentation: Unmounted
SN: 1987
Original cancelled copper plate cleaned, restored and framed
Etching
Copper plate: 4 3/4 x 5 in. (12 x 12,7cm). (cancelled)
Print: 8 1/4 x 8 1/4 in. (21 x 21 cm).
A small number of prints have been pulled from the cancelled plate posthumously on Arches paper (250g/mÂ²)

Thumbnail panels:

Robert Austin [prints] 1895-1973

Printmaker and draughtsman, born in Leicester. He studied at the School of Art there and at the Royal College of Art, 1914-16 and 1919-22, winning the Rome Scholarship for engraving in the latter year. He taught engraving at the Royal College of Art, 1927-44, becoming Professor in the Department of Graphic Design, 1948-55. Showed with RWS, of which he was a member and President; RE, of which he was a member; and the RA, to which he was elected in 1949. Austin was a meticulous craftsman-engraver and a vigorous draughtsman, as his series of drawings of Women's Auxiliary Air Force and ballooning activities done during World War II shows. The Tate Gallery holds his work.

The Ashmolean Museum, Oxford, organised an exhibition of his work in 1980.

More recently he was the subject of two shows at the Fine Art Society plc (2001 and 2002), the latter organised in conjunction with Liss Fine Art Ltd.