• A Girl at a Gate (1938) -
    Biography Enquire about this picture£150


    Presentation: Unmounted
    Line engraving
    Plate: 5 3/4 x 4 1/8 in. (14.6 x 10.5 cm). (cancelled)
    Print: 9 1/16 x 7 1/4 in. (23 x 18.5 cm).
    A limited edition of 5 prints has been printed posthumously by David Maes on GUARRO Superalfa paper (250 g/m²)



  • Empty Church - Concarneau (1949) -
    Biography Enquire about this picture£125


    Presentation: Unmounted
    Line engraving
    Plate: 6 5/16 x 6 1/2 in. (16 x 16.5 cm).  (cancelled)
    Print: 9 7/8 x 9 7/8 in. (25 x 25 cm).
    A limited edition of 5 prints has been printed posthumously by David Maes on GUARRO Superalfa paper (250 g/m²)

  • Child in Bed (1929) -
    Biography Enquire about this picture£180


    Presentation: Unmounted
    Dry point
    Plate: 5 x 5 1/2 in. (12.5 x 14.1 cm). (cancelled)
    Print: 8 5/8 in. (22 x 22 cm).


    A limited edition of 5 prints has been printed posthumously by David Maes on GUARRO Superalfa paper (250 g/m²)

  • A News Girl (1920) -
    Biography Enquire about this picture£100


    Presentation: Unmounted
    Drypoint
    Plate: 5 5/8 x 4 3/4 in. (14.4 x 12.1 cm). (cancelled)
    Print: 9 7/8 x 8 1/8 in. (25 x 20.5 cm).
    A limited edition has been printed posthumously on
    GUARRO Superalfa (250 g/m²)



  • German Madonna -
    Biography Enquire about this picture£50


    Presentation: Unmounted
    Line engraving, plate size 7 x 4 in. (18 x 10 cm),
    paper size, 10 5/8 x 7 in.  (27 x 18 cm).

    Literature: Campbell Dodgson, Robert Austin, exh. cat.,Twenty-One Gallery, London, 1930; Gordon Cooke, Drawings and Prints by Robert Austin, exh. cat.,The Fine Art Society, London, 2001

    Austin was one of the greatest exponents of  line engraving and etching. Campbell Dodgson, Keeper of Prints and Drawings at the British Museum, who compiled the standard reference work on Austin, compared him to Albrecht Dürer, noting that Austin had ‘more than a touch of that master in him’ (Dodgson, Robert Austin, exh. cat.,Twenty-One Gallery, London, 1930).

    A limited edition of 5 line engravings have been printed posthumously on ARCHES 250 g/m² paper  costing £50.00 each

    We are grateful to Rachel and Clare Austin, Gordon Cooke and David Maes for assistance.


  • Horses Pulling Cart Uphill (1920) -
    Biography Enquire about this picture£50


    Presentation: Unmounted
    Etching
    Plate: 3 7/8 x 6 1/8 in. (9.8 x 15.6 cm). (cancelled)
    Print: 7 1/4 x 9 1/16 in. (18.5 x 23 cm).
    A limited edition has been printed posthumously on
    GUARRO Superalfa (250 g/m²)


  • The Stone Breaker (1925) -
    Biography Enquire about this picture£100


    Presentation: Unmounted
    Original etching, posthumously printed from the canceled plate
    Plate: 4 1/4 x 5 3/8 in. (10.6 x 13.7 cm). (canceled)
    Print: 7 7/8 x 8 5/8 in. (20 x 22 cm).
    A limited edition of 3 prints have been printed posthumously on
    GUARRO Superalfa (250 g/m²)



  • Wherefore Plough -
    Biography Enquire about this picture£50


    Presentation: Unmounted
    Etching and dry point, image size: 9 1/8 x 7 1/2 in. (23.2 x 19.2 cm),
    paper size: 12 3/4 x 10 7/8 in. (32.5 x 27.5 cm).

    Line engraving, plate size 7 x 4 in. (18 x 10 cm),
    paper size, 10 5/8 x 7 in. (27 x 18 cm).

    Literature: Campbell Dodgson, Robert Austin, exh. cat.,Twenty-One Gallery, London, 1930; Gordon Cooke, Drawings and Prints by Robert Austin, exh. cat.,The Fine Art Society, London, 2001

    Austin was one of the greatest exponents of  line engraving and etching. Campbell Dodgson, Keeper of Prints and Drawings at the British Museum, who compiled the standard reference work on Austin, compared him to Albrecht Dürer, noting that Austin had ‘more than a touch of that master in him’ (Dodgson, Robert Austin, exh. cat.,Twenty-One Gallery, London, 1930).

    A limited edition of 5 line engravings have been printed posthumously on ARCHES 250 g/m² paper  costing £50.00 each

    We are grateful to Rachel and Clare Austin, Gordon Cooke and David Maes for assistance.
  • The Wooden Bridge Sottocastello (1929) -
    Biography Enquire about this picture£100


    Presentation: Unmounted
    Line engraving
    Plate: 6 1/4 x 4 3/4 in.(15.8 x 12.2 cm). (cancelled)
    Print: 9 7/8 x 8 in. (25 x 20 cm).

    A limited edition  of 5 prints has been printed posthumously David Maes on GUARRO Superalfa paper (250 g/m²)
  • Woman Sleeping (1931) -
    Biography Enquire about this picture£200


    Presentation: Unmounted
    Line engraving
    Plate: 6 x 7 5/8 in. (15.3 x 19.3 cm). (steel-faced and cancelled)
    Print:  9 1/2 x 10 1/4 in. (24 x 26 cm).


    A limited edition  of 5 prints has been printed posthumously by David Maes on GUARRO Superalfa paper (250 g/m²)
  • Palazzo Pisani Moretta -
    Biography Enquire about this picture£50


    Presentation: Unmounted
    Etching
    Plate: 3 7/8 x 3 1/8 in. (9.8 x 8 cm). (cancelled)
    Print: 8 7/8 x 7 7/8 in. (22.5 x 20 cm).
    A limited edition has been printed posthumously on
    GUARRO Superalfa (250 g/m²)

  • Man and crucifix -
    Biography Enquire about this picture£60


    Presentation: Unmounted
    Etching, image size 5 1/2 x 4 1/2 in. (13.8 x 11.6 cm),
    paper size 8 7/8 x 7 3/4 in. (22.5 x 19.5 cm).

    Literature: Campbell Dodgson, Robert Austin, exh. cat.,Twenty-One Gallery, London, 1930; Gordon Cooke, Drawings and Prints by Robert Austin, exh. cat.,The Fine Art Society, London, 2001

    Austin was one of the greatest exponents of  line engraving and etching. Campbell Dodgson, Keeper of Prints and Drawings at the British Museum, who compiled the standard reference work on Austin, compared him to Albrecht Dürer, noting that Austin had ‘more than a touch of that master in him’ (Dodgson, Robert Austin, exh. cat.,Twenty-One Gallery, London, 1930).

    A limited edition of 5 line engravings have been printed posthumously on ARCHES 250 g/m² paper  costing £60.00 each

    We are grateful to Rachel and Clare Austin, Gordon Cooke and David Maes for assistance.
  • Title unknown (Broken Christ) -
    Biography Enquire about this picture£40


    Presentation: Unmounted
    Line engraving, image size 6 7/8 x 5 1/8 in. (17.5 x 13 cm), 
    paper size 10 7/8 x 8 1/4 in. (27.5 x 21 cm).

    Literature: Campbell Dodgson, Robert Austin, exh. cat.,Twenty-One Gallery, London, 1930; Gordon Cooke, Drawings and Prints by Robert Austin, exh. cat.,The Fine Art Society, London, 2001

    Austin was one of the greatest exponents of  line engraving and etching. Campbell Dodgson, Keeper of Prints and Drawings at the British Museum, who compiled the standard reference work on Austin, compared him to Albrecht Dürer, noting that Austin had ‘more than a touch of that master in him’ (Dodgson, Robert Austin, exh. cat.,Twenty-One Gallery, London, 1930).

    A limited edition of 5 line engravings have been printed posthumously on ARCHES 250 g/m² paper  costing £40.00 each

    We are grateful to Rachel and Clare Austin, Gordon Cooke and David Maes for assistance.


  • Girl Brushing Her Hair (1938) -
    Biography Enquire about this picture£200


    Presentation: Unmounted
    Etching
    Plate: 7 1/2 x 6 1/2 in. (19 x 16.5 cm). (cancelled)
    Print: 11 x 9 5/8 in. (28 x 24.5 cm).

    A limited edition of 5 prints has been printed posthumously by David Maes on Arches paper (250 g/m²)

  • December Morning (1938) -
    Biography Enquire about this picture£150


    Presentation: Unmounted
    Etching
    Plate: 6 1/8 x 5 1/4 in. (15.5 x 13.4 cm). (cancelled)
    Print: 9 5/8 x 8 5/8 in. (24.5 x 22 cm).

    A limited edition of 5 prints has been printed posthumously by David Maes on Arches paper (250 g/m²)
  • Flight into Egypt -
    Biography Enquire about this picture£60


    Presentation: Unmounted
    Line engraving, image size, 6 1/2 x 10 1/4 in. (16.5 x 26.2 cm);
    paper size 10 1/4 x 13 1/4 in. (26 x 33.5 cm).

    Literature: Campbell Dodgson, Robert Austin, exh. cat.,Twenty-One Gallery, London, 1930; Gordon Cooke, Drawings and Prints by Robert Austin, exh. cat.,The Fine Art Society, London, 2001

    Austin was one of the greatest exponents of  line engraving and etching. Campbell Dodgson, Keeper of Prints and Drawings at the British Museum, who compiled the standard reference work on Austin, compared him to Albrecht Dürer, noting that Austin had ‘more than a touch of that master in him’ (Dodgson, Robert Austin, exh. cat.,Twenty-One Gallery, London, 1930).

    A limited edition of 5 line engravings have been printed posthumously on ARCHES 250 g/m² paper  costing £60.00 each

    We are grateful to Rachel and Clare Austin, Gordon Cooke and David Maes for assistance.

  • Two Girls on a Balcony -
    Biography Enquire about this picture£100


    Presentation: Unmounted
    Line engraving
    Plate: 7 x 5 in. (18 x 12.5 cm). (cancelled)
    Print: 10 3/4 x 8 in. (27.5 x 20 cm).


    A limited edition  of 5 prints has been printed posthumously by David Maes on GUARRO Superalfa paper (250 g/m²)
  • The Fisherman (1927) -
    Biography Enquire about this picture£200


    Presentation: Unmounted
    Line engraving
    Plate size: 6 1/2 x 7 1/4 in. (16,3 x 18,3 cm). (cancelled)
    Paper size: 10 x 11 in. (25,3 x 28 cm).


    A limited edition of 5 prints has been printed posthumously by David Maes on Arches paper (250 g/m²)
  • Women in Chruch -
    Biography Enquire about this picture£60


    Presentation: Unmounted
    Etching, image size,6 x 7 1/2 in. (15x 19.2 cm);
    paper size 9 5/8 x 11 in. (24.5 x 28 cm).

    Literature: Campbell Dodgson, Robert Austin, exh. cat.,Twenty-One Gallery, London, 1930; Gordon Cooke, Drawings and Prints by Robert Austin, exh. cat.,The Fine Art Society, London, 2001

    Austin was one of the greatest exponents of  line engraving and etching. Campbell Dodgson, Keeper of Prints and Drawings at the British Museum, who compiled the standard reference work on Austin, compared him to Albrecht Dürer, noting that Austin had ‘more than a touch of that master in him’ (Dodgson, Robert Austin, exh. cat.,Twenty-One Gallery, London, 1930).

    A limited edition of 5 line engravings have been printed posthumously on ARCHES 250 g/m² paper  costing £60.00 each

    We are grateful to Rachel and Clare Austin, Gordon Cooke and David Maes for assistance.

  • Young Mother (1936) -
    Biography Enquire about this picture£150


    Presentation: Unmounted
    Line engraving
    Plate size: 6 x 7 1/2 in. (15 x 19,2 cm). (cancelled)
    Paper size: 9 5/8 x 11 in. (24,5 x 28 cm).


    A limited edition of 5 prints has been printed posthumously by David Maes on Arches paper (250 g/m²)
  • Italian Mother (1923) -
    Biography Enquire about this picture£1,200


    Presentation: Unmounted
    Original cancelled copper plate cleaned, restored and framed
    Etching
    Copper plate: 4 3/4 x 5 in. (12 x 12,7cm). (cancelled)
    Print: 8 1/4 x 8 1/4 in. (21 x 21 cm).
    A small number of prints have been pulled from the cancelled plate posthumously on Arches paper (250g/m²)
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