• Interlocking Figures, circa 1963 -
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     £1,300 



    Presentation: Framed
    SN: 1780
    Signed with monogram on base; 7 x 3¾ in.
    (18 x 9.5 cm.)
    Fired porcelain, broken black and white glaze
    Provenance: acquired directly from the artist by Barrie Liss, 13 July 1963 (£4.4s.0d.)

    About the interlocking figures they are difficult to make entirely successfully owing to distortion in the kiln. An intentional characteristic of them (a psychological one?) is that they should stand firmly together but not when separated (Letter to Barrie Liss, 21 July 1963).
  • Interlocking Figures, 1970's -
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    Presentation: Unframed
    SN: 1449
    Signed on base
    Slip cast porcelain 18 cm high
    Provenance: Bristol Guild of Applied Art

    Peter Wright, (1919-2003), Interlocking Figures,
    Slip cast porcelain 7 1/8 in. (18 cm) high.


    About the interlocking figures they are difficult to make entirely successfully owing to distortion in the kiln. An intentional characteristic of them (a psychological one?) is that they should stand firmly together but not when separated (Letter to Barrie Liss, 21 July 1963).

    It is difficult to state exactly what inspires me - this  work is the result ofall sorts of odd influences, experiences, things seen, etc. Perhaps these were partly the result of looking at clay images of very early Mediterranean cultures and at the bronze Etruscan votive figures both of these groups of images have always fascinated me  (Letter to Barrie Liss, 7 December 1962).
  • Pebble Owls, circa 1963 -
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    Presentation: Framed
    SN: 1781
    Signed with monogram on base; smallest 2¾ x 3¾ in. (7 x 9.5 cm.), largest 7 x 4¼ in. (18 x 11 cm.);
    Fired porcelain, broken black and white glaze
    Provenance: acquired directly from the artist by Barrie Liss, 13 July 1963 (£3.3s.0d.)
  • Reclining Torso, circa 1963 -
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    Presentation: Framed
    SN: 1782
    Signed on base with monogram on the thigh;
    3 x9 in. (10 x 24 cm.)
    Fired porcelain, broken black and white glaze
    Provenance: acquired directly from the artist by Barrie Liss, 13 July 1963 (£3.3s.0d.)
    It is difficult to state exactly what inspires me. One's work is the result of all sorts of odd influences, experiences, things seen, etc. Perhaps these were partly the result of looking at clay images of very early Mediterranean cultures and at the bronze Etruscan votive figures – both of these groups of images have always fascinated me (Letter to Barrie Liss, 7 December 1962).
  • Interlocking figures -
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    Presentation: Unframed
    SN: 1791
    slip cast porcelain, 7in  (18cm) high

    About the interlocking figures they are difficult to make entirely successfully owing to distortion in the kiln. An intentional characteristic of them (a psychological one?) is that they should stand firmly together but not when separated (Letter to Barrie Liss, 21 July 1963).

    It is difficult to state exactly what inspires me - this  work is the result ofall sorts of odd influences, experiences, things seen, etc. Perhaps these were partly the result of looking at clay images of very early Mediterranean cultures and at the bronze Etruscan votive figures both of these groups of images have always fascinated me  (Letter to Barrie Liss, 7 December 1962).
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