• Design for a greeting card -
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     £120 



    Presentation: Unmounted
    Pen, ink and watercolour with highlights in gold paint
    the figured cut out in silhouette
    9 x 6 in. (22.8 x 15 cm.)
    Provenance: The Artists's Studio, 1970.  Private collection


    Lilian Rowles was a commercial artist and illustrator, born Newport, Monmouthshire (nee Hall).  She studied at West Bromwich Municipal School of Art and married the artist Stanley Charles Rowles. She exhibited Royal Academy and Walker Art Gallery, Liverpool.  Lived Congleton, Cheshire.
  • Life Study  -
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     £650 



    Presentation: Unframed
    Oil on canvas.
    30 5/16 x 22 7/16 in. (77 x 57 cm.)

    Lilian Rowles studied at West Bromwich Municipal School of Art and exhibited at the Royal Academy and Walker Art Gallery, Liverpool.  She was a professional commercial designer and illustrator and married the artist Stanley Charles Rowles.  Born Newport, Monmouthshire (nee Hall),she Lived Congleton, Cheshire.

    Women had historically been discouraged from the nude as a genre, and even after it became acceptable for women to attend Art School drawing from a live model, rather than plastercasts, was considered inappropriate. A measure of the degree to which men felt threatened by the idea of women painting a nude is demonstrated by the hostile reaction provoked by Laura Knights iconic Self Portrait (1913), now in the collection of The National Portrait Gallery, which the Times critic of the day summed up as 'something dangerously near to vulgarity':

    Somehow, women painting women hardly ever infuses into her work the higher charm of the ‘eternal feminine’. This painting is obviously but an exercise, and as such it might quite appropriately have stayed in the artist’s studio. It repels, not by any special inconvenance – for it is harmless enough with an element of sensuous attraction – but by dullness and something dangerously near to vulgarity.
    Claude Phillips, The Daily Telegraph, 17 April 1914

    Even favourable press reviews of the time used very condescending language: Mrs Knights has …proved that she has masculine genius and feminine courage. Herbert Thomas, Mrs Knights Triumph, The Cornish Telegraph, 26 March 1914, p3.

    In Freeman's studies there is an honesty of purpose that might typically be absent from a nude painted by a man. As Alfred Lys Baldry observed in Contemporary Figures Painters, The Studio 1925, this ‘plain matter of fact’ approach to the nudes– ‘the frank fidelity of the woman artist’ - , shared none of the characteristics of the ‘idealized rendering of the female nude as seen by a male painter ‘

    The source of the above quotes is an article by Pamela Gerrish Nunn, Self Portrait by Laura Knight, The British Art Journal, volume VIII No. 2 p 53
  • The Kentish Drovers -
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     £250 



    Presentation: Mounted
    Inscribed with title
    Watercolour
    5 1/8 x 7 1/2 in. (13 x 9 cm.)

    Lilian Rowles studied at West Bromwich Municipal School of Art and exhibited Royal Academy and Walker Art Gallery, Liverpool.  She was a professional commercial designer and illustrator and married the artist Stanley Charles Rowles.  Born Newport, Monmouthshire (nee Hall),she Lived Congleton, Cheshire.
  • Children being collected in a chauffer driven car circa 1910 -
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    £180  £90 



    Presentation: Mounted
    Pencil. 10 13/16 x 8 5/16 in. (27.5 x 21.1 cm.)

    Lilian Rowles studied at West Bromwich Municipal School of Art and exhibited Royal Academy and Walker Art Gallery, Liverpool.  She was a professional commercial designer and illustrator and married the artist Stanley Charles Rowles.  Born Newport, Monmouthshire (nee Hall),she Lived Congleton, Cheshire.
  • Sisters, circa 1915 -
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     £380 



    Presentation: Mounted
    Pen and ink on prepared card
    9 1/2 x 7 1/2 in. (24 x 19 cm.)

    In a hand washed mount

    Lilian Rowles studied at West Bromwich Municipal School of Art and exhibited at the Royal Academy and Walker Art Gallery, Liverpool.  She was a professional commercial designer and illustrator and married the artist Stanley Charles Rowles.  Born Newport, Monmouthshire (nee Hall),she Lived Congleton, Cheshire.
  • Portrait of woman in a hat -
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     £800 



    Presentation: Mounted
    Pencil
    11 x 10 in. (28 x 25.4 cm.)

    Lilian Rowles studied at West Bromwich Municipal School of Art and exhibited at the Royal Academy and Walker Art Gallery, Liverpool.  She was a professional commercial designer and illustrator and married the artist Stanley Charles Rowles.  Born Newport, Monmouthshire (nee Hall),she Lived Congleton, Cheshire.
  • Mother and three children -
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     £350 



    Presentation: Mounted
    Pen and ink
    16 1/4 x 11 1/4 in. (41.3 x 28.5 cm.)

    Lilian Rowles studied at West Bromwich Municipal School of Art and exhibited at the Royal Academy and Walker Art Gallery, Liverpool.  She was a professional commercial designer and illustrator and married the artist Stanley Charles Rowles.  Born Newport, Monmouthshire (nee Hall),she Lived Congleton, Cheshire.
  • Design for a greetings card -
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    Presentation: Unmounted
    Pen, ink and watercolour with highlights in gold paint
    the figured cut out in silhouette
    6 x 9 in. (15 x 22.8)
    Provenance: The Artists's Studio, 1970.  Private collection

    Lilian Rowles was a commercial artist and illustrator, born Newport, Monmouthshire (nee Hall).  She studied at West Bromwich Municipal School of Art and married the artist Stanley Charles Rowles. She exhibited Royal Academy and Walker Art Gallery, Liverpool.  Lived Congleton, Cheshire.
  • Full lenght nude, rear view -
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    Presentation: Framed
    Pencil
    28 x 18 in.

    Lilian Rowles studied at West Bromwich Municipal School of Art and exhibited Royal Academy and Walker Art Gallery, Liverpool.  She was a professional commercial designer and illustrator and married the artist Stanley Charles Rowles.  Born Newport, Monmouthshire (nee Hall),she Lived Congleton, Cheshire.
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