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£650

Presentation: Framed
SN: 1777
Gouache over pencil on paper
5 5/8 x 13 1/4 in. (15 x 34 cm.)

In a gilded oak square section frame with a broad flat oak innerslip.

Tempests designs for stage sets and murals date to the period when he was a student at the Royal College of Art, where he trained under William Rothenstein. The Signs of the Zodiac was executed for a Dance Hall in Bromley (destroyed in World War II). It depicts eleven of the signs of the Zodiac - curiously Pisces is missing.
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£650

Presentation: Mounted
SN: 3642
Gouache on paper, 12 x 24 cm

This designs, for a stage set or mural, is likely to date to the period when
Tempest was a student at the Royal College of Art, where he trained under
William Rothenstein.

In a gilded flat section glazed frame with square outer moulding
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Presentation: Unmounted
SN: 983
gouache and oil on paper, circa 1940
size 8 x 8 in. (20.2 x 20.2 cm.)
Tempest studied at Woolwich Polytechnic School of Art, 1927-32, with Herbert Buckley, and at the Royal College of Art, 1932-36, under William Rothenstein. He showed at the RA, NEAC, RBA and in Doncaster, Gateshead and Sunderland. Public collections in Leicester and Wolverhampton hold examples. He lived in Plumstead, southeast London, and later in Keston, Kent. Tempest is typical of a certain kind of British painter: he exhibited year in and year out at the RA and NEAC, thus establishing a solid reputation as a talented landscape artist, and yet today he is little known. He was a competent artist, but also one who was capable of producing exceptional works. His suburban views of back gardens, which are part of a uniquely English vision, are equal to the works of many of his better-known contemporaries.

Thumbnail panels:

Herbert Victor Tempest 1913-2003

Painter and teacher, born in Swaffham, Norfolk. He studied at Woolwich Polytechnic School of Art, 1927-32, with Herbert Buckley, and at the Royal College of Art, 1932-36, under William Rothenstein. He showed at the RA, NEAC, RBA and in Doncaster, Gateshead and Sunderland. Public collections in Leicester and Wolverhampton hold examples. He lived in Plumstead, southeast London, and later in Keston, Kent.

Tempest is typical of a certain kind of British painter: he exhibited year in and year out at the RA and NEAC, thus establishing a solid reputation as a talented landscape artist, and yet today he is little known. He was a competent artist, but also one who was capable of producing exceptional works. His suburban views of back gardens, which are part of a uniquely English vision, are equal to the works of many of his better-known contemporaries.