Send image Biography Enquire£300 
Presentation: Framed
Watercolour and pen and ink
Arched top, 9 x 2 1/2 in. (23. x 6.3 cm.) on a stippled ground
In a shaped gilded oak frame with peg joints
A Liverpool man, Doyle attended its College of Art - being particularly influenced by the Head of Painting, Will C Penn. By a pleasing coincidence, his son Arthur Penn first aroused my own interest in Victorian stained glass, which he was surveying around Brampton, Cumbria where we had our own first gallery. Gaining a scholarship to the Royal College of Art to study book illustration, Doyle became captivated by stained glass and his life's work shows what a good choice he made. In 1935 he gained his Diploma in Design and was three times winner of the Annual Competition of the Worshipful Company of Glaziers.
As assistant to Martin Travers, Doyle gained much experience which led to establishing his own studio in Liverpool important commissions followed including several armorial designs for Trinity College, Cambridge and the memorial window after the Golborne colliery disaster. In later years he lived in Llandudno, North Wales. A keen member of the British Society of Master Painters in Stained Glass, he made frequent visits to London to enjoy their events.
This text is based upon his obituary by Penny Somerville and Alfred Fisher, in the Journal of Stained Glass, Volume XXV 2001, pp 192 - 195.
Send image Biography Enquire£340
Presentation: Framed
Watercolour and pen and ink
Arched top, 9 x 2 1/2 in. (23. x 6.3 cm.) on a stippled ground
In a shaped gilded oak frame with peg joints.
A Liverpool man, Doyle attended its College of Art - being particularly influenced by the Head of Painting, Will C Penn. By a pleasing coincidence, his son Arthur Penn first aroused my own interest in Victorian stained glass, which he was surveying around Brampton, Cumbria where we had our own first gallery. Gaining a scholarship to the Royal College of Art to study book illustration, Doyle became captivated by stained glass and his life's work shows what a good choice he made. In 1935 he gained his Diploma in Design and was three times winner of the Annual Competition of the Worshipful Company of Glaziers.
As assistant to Martin Travers, Doyle gained much experience which led to establishing his own studio in Liverpool important commissions followed including several armorial designs for Trinity College, Cambridge and the memorial window after the Golborne colliery disaster. In later years he lived in Llandudno, North Wales. A keen member of the British Society of Master Painters in Stained Glass, he made frequent visits to London to enjoy their events.
This text is based upon his obituary by Penny Somerville and Alfred Fisher, in the Journal of Stained Glass, Volume XXV 2001, pp 192 - 195.
Send image Biography Enquire£280
Presentation: Mounted
Watercolour and pen and ink on a stippled ground
12 x 7 in. 30 x 17.8 cm.
A Liverpool man, Doyle attended its College of Art - being particularly influenced by the Head of Painting, Will C Penn. By a pleasing coincidence, his son Arthur Penn first aroused my own interest in Victorian stained glass, which he was surveying around Brampton, Cumbria where we had our own first gallery. Gaining a scholarship to the Royal College of Art to study book illustration, Doyle became captivated by stained glass and his life's work shows what a good choice he made. In 1935 he gained his Diploma in Design and was three times winner of the Annual Competition of the Worshipful Company of Glaziers.
As assistant to Martin Travers, Doyle gained much experience which led to establishing his own studio in Liverpool important commissions followed including several armorial designs for Trinity College, Cambridge and the memorial window after the Golborne colliery disaster. In later years he lived in Llandudno, North Wales. A keen member of the British Society of Master Painters in Stained Glass, he made frequent visits to London to enjoy their events.
This text is based upon his obituary by Penny Somerville and Alfred Fisher, in the Journal of Stained Glass, Volume XXV 2001, pp 192 - 195.
Send image Biography Enquire£300
Presentation: Passe-partout
Ink and watercolour on paper, 12 11/16 x 6 3/4 in. (32.2 x 17cm.)
(14 5/8 x 8 5/8 in. (37.2 x 22cm.) framed)
Send image Biography Enquire£300
Presentation: Passe-partout
Ink and watercolour.
10 7/16 x 9 1/4 in. (26.5 x 23.5 cm.)
Send image Biography Enquire£350
Presentation: Framed
Ink and watercolour.
10 7/8 x 6 1/4 in. (27.6 x 16 cm.)
In a gilded oak frame
Send image Biography Enquire£350
Presentation: Framed
Ink and watercolour.
9 7/8 x 10 3/8 in. (25.1 x 26.4 cm.)
In a gilded oak frame
Send image Biography Enquire£350
Presentation: Framed
Ink and watercolour on a stippled ground
27.2 x 17.2 cm
Send image Biography
Sold
Presentation: Mounted
Watercolour and pen and ink on a stippled ground
Extensively inscribed
9 1/2 x 6 1/2 in. (24 x 16 .5 cm)
A Liverpool man, Doyle attended its College of Art - being particularly influenced by the Head of Painting, Will C Penn. By a pleasing coincidence, his son Arthur Penn first aroused my own interest in Victorian stained glass, which he was surveying around Brampton, Cumbria where we had our own first gallery. Gaining a scholarship to the Royal College of Art to study book illustration, Doyle became captivated by stained glass and his life's work shows what a good choice he made. In 1935 he gained his Diploma in Design and was three times winner of the Annual Competition of the Worshipful Company of Glaziers.
As assistant to Martin Travers, Doyle gained much experience which led to establishing his own studio in Liverpool important commissions followed including several armorial designs for Trinity College, Cambridge and the memorial window after the Golborne colliery disaster. In later years he lived in Llandudno, North Wales. A keen member of the British Society of Master Painters in Stained Glass, he made frequent visits to London to enjoy their events.
This text is based upon his obituary by Penny Somerville and Alfred Fisher, in the Journal of Stained Glass, Volume XXV 2001, pp 192 - 195.
Send image BiographySold
Presentation: Framed
Watercolour and pen and ink
Arched top, 11 x 2 1/2 in. (28 x 6.3 cm.) on a stippled ground
In a shaped gilded oak frame with peg joints.
A Liverpool man, Doyle attended its College of Art - being particularly influenced by the Head of Painting, Will C Penn. By a pleasing coincidence, his son Arthur Penn first aroused my own interest in Victorian stained glass, which he was surveying around Brampton, Cumbria where we had our own first gallery. Gaining a scholarship to the Royal College of Art to study book illustration, Doyle became captivated by stained glass and his life's work shows what a good choice he made. In 1935 he gained his Diploma in Design and was three times winner of the Annual Competition of the Worshipful Company of Glaziers.
As assistant to Martin Travers, Doyle gained much experience which led to establishing his own studio in Liverpool important commissions followed including several armorial designs for Trinity College, Cambridge and the memorial window after the Golborne colliery disaster. In later years he lived in Llandudno, North Wales. A keen member of the British Society of Master Painters in Stained Glass, he made frequent visits to London to enjoy their events.
This text is based upon his obituary by Penny Somerville and Alfred Fisher, in the Journal of Stained Glass, Volume XXV 2001, pp 192 - 195.
Send image BiographySold
Presentation: Mounted
Watercolour and pen and ink on a stippled ground
13 x 7 in (33 x 17.8 cm).
A Liverpool man, Doyle attended its College of Art - being particularly influenced by the Head of Painting, Will C Penn. By a pleasing coincidence, his son Arthur Penn first aroused my own interest in Victorian stained glass, which he was surveying around Brampton, Cumbria where we had our own first gallery. Gaining a scholarship to the Royal College of Art to study book illustration, Doyle became captivated by stained glass and his life's work shows what a good choice he made. In 1935 he gained his Diploma in Design and was three times winner of the Annual Competition of the Worshipful Company of Glaziers.
As assistant to Martin Travers, Doyle gained much experience which led to establishing his own studio in Liverpool important commissions followed including several armorial designs for Trinity College, Cambridge and the memorial window after the Golborne colliery disaster. In later years he lived in Llandudno, North Wales. A keen member of the British Society of Master Painters in Stained Glass, he made frequent visits to London to enjoy their events.
This text is based upon his obituary by Penny Somerville and Alfred Fisher, in the Journal of Stained Glass, Volume XXV 2001, pp 192 - 195.
Send image BiographySold
Presentation: Mounted
Watercolour and ink on a stippled ground
8 x 4 1/4 in. (22.2 x 11 cm.)
extensively inscribed
A Liverpool man, Doyle attended its College of Art - being particularly influenced by the Head of Painting, Will C Penn. By a pleasing coincidence, his son Arthur Penn first aroused my own interest in Victorian stained glass, which he was surveying around Brampton, Cumbria where we had our own first gallery. Gaining a scholarship to the Royal College of Art to study book illustration, Doyle became captivated by stained glass and his life's work shows what a good choice he made. In 1935 he gained his Diploma in Design and was three times winner of the Annual Competition of the Worshipful Company of Glaziers.
As assistant to Martin Travers, Doyle gained much experience which led to establishing his own studio in Liverpool important commissions followed including several armorial designs for Trinity College, Cambridge and the memorial window after the Golborne colliery disaster. In later years he lived in Llandudno, North Wales. A keen member of the British Society of Master Painters in Stained Glass, he made frequent visits to London to enjoy their events.
This text is based upon his obituary by Penny Somerville and Alfred Fisher, in the Journal of Stained Glass, Volume XXV 2001, pp 192 - 195.
Send image BiographySold
Presentation: Framed
Ink and watercolour.
17 3/8 x 10 15/16 in. (44 x 27.8 cm.)
In a reeded mahogony frame
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