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Presentation: Framed
SN: 2213
19 drawings, mostly watercolour and pencil on lined paper, all approximately 19x15 cm (7½×5⅞in).
Provenance: William de Belleroche; private collection
William de Belleroche noted in his personal catalogue that Brangwyn painted nineteen watercolours and pen and ink sketches in a: ˜precious little volume which was originally an exercise book and Sir Frank filled up this little volume with water-colours painted in his garden to remain as a souvenir for Count de Belleroche and remind him of the places where most of the discussions they had together [sic].'47
The four drawings reproduced here show Brangwyn and Lizzie Peacock by the sundial on the lawn, with Brangwyn's house extension to the right; and various parts of the garden with Brangwyn's earthenware pots, where the artist and Belleroche ˜talked of Art'.
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Presentation: Framed
SN: 2214
19 drawings, mostly watercolour and pencil on lined paper, all approximately 19 x 15 cm.
Provenance: William de Belleroche; private collection
William de Belleroche noted in his personal catalogue that Brangwyn painted nineteen watercolours and pen and ink sketches in a: ˜precious little volume which was originally an exercise book and Sir Frank filled up this little volume with water-colours painted in his garden to remain as a souvenir for Count de Belleroche and remind him of the places where most of the discussions they had together [sic].'47
The four drawings reproduced here show Brangwyn and Lizzie Peacock by the sundial on the lawn, with Brangwyn's house extension to the right; and various parts of the garden with Brangwyn's earthenware pots, where the artist and Belleroche ˜talked of Art'.
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Presentation: Framed
SN: 2215
19 drawings, mostly watercolour and pencil on lined paper, all approximately 19x15 cm (7½×5⅞in).
Provenance: William de Belleroche; private collection
William de Belleroche noted in his personal catalogue that Brangwyn painted nineteen watercolours and pen and ink sketches in a: ˜precious little volume which was originally an exercise book and Sir Frank filled up this little volume with water-colours painted in his garden to remain as a souvenir for Count de Belleroche and remind him of the places where most of the discussions they had together [sic].'47
The four drawings reproduced here show Brangwyn and Lizzie Peacock by the sundial on the lawn, with Brangwyn's house extension to the right; and various parts of the garden with Brangwyn's earthenware pots, where the artist and Belleroche ˜talked of Art'.
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Presentation: Framed
SN: 2216
19 drawings, mostly watercolour and pencil on lined paper, all approximately 19x15 cm (7½×5⅞in).
Provenance: William de Belleroche; private collection
William de Belleroche noted in his personal catalogue that Brangwyn painted nineteen watercolours and pen and ink sketches in a: ˜precious little volume which was originally an exercise book and Sir Frank filled up this little volume with water-colours painted in his garden to remain as a souvenir for Count de Belleroche and remind him of the places where most of the discussions they had together [sic].'47
The four drawings reproduced here show Brangwyn and Lizzie Peacock by the sundial on the lawn, with Brangwyn's house extension to the right; and various parts of the garden with Brangwyn's earthenware pots, where the artist and Belleroche ˜talked of Art'.
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Presentation: Framed
SN: 2217
19 drawings, mostly watercolour and pencil on lined paper, all approximately 19x15 cm (7½×5⅞in).
Provenance: William de Belleroche; private collection
William de Belleroche noted in his personal catalogue that Brangwyn painted nineteen watercolours and pen and ink sketches in a: ˜precious little volume which was originally an exercise book and Sir Frank filled up this little volume with water-colours painted in his garden to remain as a souvenir for Count de Belleroche and remind him of the places where most of the discussions they had together [sic].'47
The four drawings reproduced here show Brangwyn and Lizzie Peacock by the sundial on the lawn, with Brangwyn's house extension to the right; and various parts of the garden with Brangwyn's earthenware pots, where the artist and Belleroche ˜talked of Art'.
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Presentation: Framed
SN: 2218
19 drawings, mostly watercolour and pencil on lined paper, all approximately 19x15 cm (7½×5⅞in).
Provenance: William de Belleroche; private collection
William de Belleroche noted in his personal catalogue that Brangwyn painted nineteen watercolours and pen and ink sketches in a: ˜precious little volume which was originally an exercise book and Sir Frank filled up this little volume with water-colours painted in his garden to remain as a souvenir for Count de Belleroche and remind him of the places where most of the discussions they had together [sic].'47
The four drawings reproduced here show Brangwyn and Lizzie Peacock by the sundial on the lawn, with Brangwyn's house extension to the right; and various parts of the garden with Brangwyn's earthenware pots, where the artist and Belleroche ˜talked of Art'.
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Presentation: Framed
SN: 2219
19 drawings, mostly watercolour and pencil on lined paper, all approximately 19x15 cm (7½×5⅞in).
Provenance: William de Belleroche; private collection
William de Belleroche noted in his personal catalogue that Brangwyn painted nineteen watercolours and pen and ink sketches in a: ˜precious little volume which was originally an exercise book and Sir Frank filled up this little volume with water-colours painted in his garden to remain as a souvenir for Count de Belleroche and remind him of the places where most of the discussions they had together [sic].'47
The four drawings reproduced here show Brangwyn and Lizzie Peacock by the sundial on the lawn, with Brangwyn's house extension to the right; and various parts of the garden with Brangwyn's earthenware pots, where the artist and Belleroche ˜talked of Art'.
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Presentation: Framed
SN: 2220
19 drawings, mostly watercolour and pencil on lined paper, all approximately 19x15 cm (7½×5⅞in).
Provenance: William de Belleroche; private collection
William de Belleroche noted in his personal catalogue that Brangwyn painted nineteen watercolours and pen and ink sketches in a: ˜precious little volume which was originally an exercise book and Sir Frank filled up this little volume with water-colours painted in his garden to remain as a souvenir for Count de Belleroche and remind him of the places where most of the discussions they had together [sic].'47
The four drawings reproduced here show Brangwyn and Lizzie Peacock by the sundial on the lawn, with Brangwyn's house extension to the right; and various parts of the garden with Brangwyn's earthenware pots, where the artist and Belleroche ˜talked of Art'.
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Presentation: Framed
SN: 2232
19 drawings, mostly watercolour and pencil on lined paper, all approximately 19×15cm (7½×5⅞in).
Provenance: William de Belleroche; private collection
William de Belleroche noted in his personal catalogue that Brangwyn painted nineteen watercolours and pen and ink sketches in a: ˜precious little volume which was originally an exercise book and Sir Frank filled up this little volume with water-colours painted in his garden to remain as a souvenir for Count de Belleroche and remind him of the places where most of the discussions they had together [sic].'47
The four drawings reproduced here show Brangwyn and Lizzie Peacock by the sundial on the lawn, with Brangwyn's house extension to the right; and various parts of the garden with Brangwyn's earthenware pots, where the artist and Belleroche ˜talked of Art'.
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Presentation: Framed
SN: 2233
19 drawings, mostly watercolour and pencil on lined paper, all approximately 19×15cm (7½×5⅞in).
Provenance: William de Belleroche; private collection
William de Belleroche noted in his personal catalogue that Brangwyn painted nineteen watercolours and pen and ink sketches in a: ˜precious little volume which was originally an exercise book and Sir Frank filled up this little volume with water-colours painted in his garden to remain as a souvenir for Count de Belleroche and remind him of the places where most of the discussions they had together [sic].'47
The four drawings reproduced here show Brangwyn and Lizzie Peacock by the sundial on the lawn, with Brangwyn's house extension to the right; and various parts of the garden with Brangwyn's earthenware pots, where the artist and Belleroche ˜talked of Art'.
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Presentation: Framed
SN: 2234
19 drawings, mostly watercolour and pencil on lined paper, all approximately 19×15cm (7½×5⅞in)
Provenance: William de Belleroche; private collection
William de Belleroche noted in his personal catalogue that Brangwyn painted nineteen watercolours and pen and ink sketches in a: ˜precious little volume which was originally an exercise book and Sir Frank filled up this little volume with water-colours painted in his garden to remain as a souvenir for Count de Belleroche and remind him of the places where most of the discussions they had together [sic].'47
The four drawings reproduced here show Brangwyn and Lizzie Peacock by the sundial on the lawn, with Brangwyn's house extension to the right; and various parts of the garden with Brangwyn's earthenware pots, where the artist and Belleroche ˜talked of Art'.
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Presentation: Framed
SN: 2221
(D1950-1965) 20 drawings, mixed media on paper, all approximately 25×19cm (9⅞×7½in)
Provenance: William de Belleroche (nos 17-35 and 117); private collection
The following 20 sketches form part of a series produced as illustrations, referred to in a letter from Brangwyn to Martin Hardie:
˜By the way you remember I lent you one or two rough heads of Pirates etc for that Turpin[?] book, can you lay your hand on them as they were part of a collection which belongs to a publisher who wishes to publish the lot.'46
*Old Sea Character in a Bowler Hat, *Chief of Combatore, *Lion of Samsun, *Ralph Fitch, *Bearded Sea Captain, *An Armenian, Abraham Birdvod of Ipswich, 1522, Captain Chas, Coal King, His Richness of Bal, Isac Cutts, Keeper of a Low House, Man of Maratha, Mule Man, Old Boatman, Old Sailor, Patwawantin: The Ojibway Chief, Ralph Gonson, Sir E Osborn, Whaler of Rye.
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Presentation: Framed
SN: 2301
Inscribed (not in Brangwyn’s hand) on stretcher: ‘MATSUKATA’
Mixed media on paper laid on canvas, 50.6×148.4cm (19⅞×58⅜in)
Provenance: Kojiro Matsukata; unknown
Ill: W K West, ‘Some Examples of Recent Work by Mr Frank Brangwyn ARA’, The Studio, February 1911, p22
The Studio magazine in which this work was reproduced (February 1911) captioned the design ‘sketch in oils for a frieze’. It is unclear whether it was a commissioned work, rather than speculative, or indeed whether it was ever realised. Although the stretcher is inscribed ‘MATSUKATA’, it seems unlikely that he commissioned the design as the earliest recorded contact between Matsukata and Brangwyn was 1916. (18)
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Presentation: Framed
SN: 2325
Signed with monogram b.l.: 'FB' and inscribed with title verso Watercolour and bodycolour on paper, 55x76cm (22x30½in)
Reference: Bunt 710
Provenance: William de Belleroche; The Fine Art Society; Texas Instruments, Dallas, USA; Lucy Winterbottom; private collection
Exh: Exhibition of Paintings Drawings & Etchings by Frank Brangwyn, 184 Queen's Gate, London, 1924 (No 212); Exhibition of Paintings by Sir Frank Brangwyn RA from the Collection of Count William de Belleroche, Ferens Art Gallery, Kingston upon Hull, 1953; Sir Frank Brangwyn RA: Paintings and Watercolours from the Collection of Count William de Belleroche, The Fine Art Society, 1958 (No 11), 250gns; The Fine Art Society Story, Part 2, The Fine Art Society, 2001 (No 31) (plus III).
Brangwyn delighted in the 'soft air' of Venice, and painted more than 55 watercolours of the city.
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Presentation: Framed
SN: 2329
Signed with monogram b.l.:‘FB’
Watercolour, 44×62cm (17¼×24½in)
The painting of Venetian boats was probably produced from memory.
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